The artistic work of Bettina Nuschei has grown into expressive
maturity. This means, after a logic process of cleansing,
she found her stylistic unity outside of punctural dependence.
After the structured scheme of postcubistic form, she went
through a period of atmospherical abstraction with transparent
moiree, before she now discovered imaginary calligraphy
on a base of patiently processed material.
The uniqueness of such a syntax is founded in the agreement
of space, colour and handwriting, melted into each other
in such harmony, that it is difficult to distinguish which
of the three has the most impact, so all contraries flow
into exact harmony. Indeed, every element influences the
other and vice versa, perfecting the subtle composition
of a contrasting centre of attention, with a quantum of
complementary tension passing through.
On a generally monochrome foundation the layers of symbols,
written in meta language, which in the process of artistic
interaction add to the painting its perfect meaning.
In this symbolic, that never exposes the twist of outer
appearance, but is given to a freely wandering hand, meditating,
exposing the inner self and is therefore whole and in order.
The unexpected adds its part, when chance gambles with vocabulary
between symbol and material.
Still, the work of Bettina Nuschei stays in the art is
not focused on objects, as one might think, neither the
eruption of material, nor the thickly spread outline, lead
by analystic, beautiful vitality combined with elegance,
for her execution is endlessly nuanced, far from epidermic
temptation. Powerful and cultivated, elegant and controlled
at the same time, she takes us on an journey through a clear
mind, that measures the equilibrium and knows how to weave
it into a balanced song.
Gérard Xuriguera, Paris, Art-Critic "Le Monde"